The power of theatre is its ability to be supernaturally immersed within a performance. The source of power for this willing suspension of disbelief lies with the initiation of human interest. Some architects attempt to create a willing suspension of disbelief through the creation of computer-generated forms that exceed straightforward manifestations as buildings. However, these forms camouflage their failure to create a human interest. This thesis explores how architecture can create a willing suspension of disbelief that sparks a human interest and in turn triggers an imaginative experience.
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